"Sandra
Contreras's paintings weave between the exterior and the interior. Exteriority
in her work is born from the relationship between sight and travelling.
The conjunction of interior and exterior is the polyptychon as a narrative
resource in her works."
Jose
Luis Barrios, 1999 |
From
the material to the fantastic order
This project is a painting exhibition based on the obsession for dreaming
and flying.
My first idea to do "flying-landscapes" was based on my interest
about a myth describing the roles of creation of the world. I could
transform reality in my paintings by showing what could happen when
gravitational force was removed. Very heavy objects could fly at the
same level as the clouds. Nevertheless at and moment the object could
fall.
The paintings were constructed following in three different spaces:
the sky, the earth, and the water; in the same spaces where punishments
take place
I thought about of a prohibition of playing and dreaming.
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Dreams
or perceptions ?
This painting project is based on the obsession of an old woman to fly;
her vision seems to be the world of a small girl.
I wanted to describe the world which belonged to my grandmother. It
began with the motivation in doing portraits. These portraits evolved
into paintings in which I showed a particular world or perception dealing
with emotions, illusions and symbols.
The speed of our daily lives is influenced by the presence of new media,
which often doesn't tolerate slower rhythms. That is one reason I chose
painting for this theme, an "old media" that can still be
contemporary.
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